Working from his studio on the edge of the Lake District, James Hake uses oriental glazes to create distinctive wheel- thrown ceramics which reflect the dynamic processes of the natural world. After studying design at Manchester Metropolitan University James trained in ceramics near Kilkenny in Ireland where the disciplined focus on technique gave him the tools and space to discover his individual style.

It was following a visit to an exhibition at the Lake District’s Arts and Crafts House Blackwell in 2001 that his interest in Japanese ceramics took hold. The exhibition also featured work by the English potter Edward Hughes (1953– 2006) who’s work has remained a constant reference point throughout James’ career. James established his studio, a converted barn in rural north Lancashire, more than a decade ago. Today James’ work combines simplicity of form with thick experimental glazes and a preference for locally-sourced materials.

Taking inspiration from Japanese ceramics, his work — which ranges from generously proportioned chargers to palm-sized tealight holders — is also influenced by the sea-glazed sand and simplicity of Morecambe Bay near his home. Solitude and open landscapes have enabled him to forge his own way and make objects that feel both honest and unique. His confident, distinctive style has been honed over years of ‘decision making’; the slow, instinctive process of working out what interests him as an artist, paring away the things that don’t matter.

“I have developed a palette of my own glazes. These range from subtle Shinos, to rich, dark Tenmokus and Copper Reds. Glazes are applied quickly by dipping and pouring in different combinations, which fuse together in the heat of the kiln. I am always adapting and experimenting with glaze, searching for different colours and textures to complement ceramic form. Currently I am investigating using local materials from quarries, clay seams and wood ashes in my glazes.”

There are over twenty ceramic works in the current exhibition at Low Wood Bay.